Academy Awards for 1981By Patrick Mondout
The 54th Annual Academy Awards were hosted by Johnny Carson
on March 29, 1982
at the Dorothy Chandler Pavillion (Los Angeles) and broadcast live on ABC.
Reds, Chariots
of Fire, and On Golden Pond
were the big winners with Henry Fonda (Best Actor) and Katherine Hepburn
(Best Actress) becoming the oldest winners (76 and 74 respectively) for
their categories. For Fonda, who starred with Hepburn and his daughter
Jane in On Golden Pond, it was his first Best Actor trophy and only
his second nomination. Fonda would be dead within six months.
Hepburn, however, extended her lead for most nominations with 12 (which
ironically has since bested by Meryl Streep whom she beat this night) and
extended her lead for wins for Best Actress to four. It is all the more
remarkable that Ms. Hepburn won three of the four after age 60.
If there was a "big loser" this night it was Ragtime,
which entered the night with eight nominations but came away empty handed.
Note: All nominees are listed and
denotes the Oscar winner.
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| BEST PICTURE |
| |
Atlantic
City, Denis Heroux and John Kemeny, producers |
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Chariots
of Fire, David Puttnam, producer |
| |
On
Golden Pond, Bruce Gilbert, producer |
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Raiders
of the Lost Ark, Frank Marshall, producer |
| |
Reds, Warren
Beatty, producer |
 |
| |
| BEST ART
DIRECTION/SET DIRECTION |
| |
Assheton Gorton, art direction; Ann
Mollo, set decoration, The
French Lieutenant's Woman |
| |
Tambi Larsen, art direction; Jim
Berkey, set decoration, Heaven's
Gate |
| |
John Graysmark, Patrizia Von
Brandenstein and Anthony Reading; art direction; George de Titta,
Sr., George de Titta, Jr. and Peter Howitt, set decoration, Ragtime |
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Norman Reynolds and Leslie Dilley,
art direction; Michael Ford, set decoration, Raiders
of the Lost Ark |
| |
Richard Sylbert, art direction;
Michael Seirton, set decoration, Reds |
 |
| |
| BEST SOUND |
| |
Richard Portman and David Ronne, On
Golden Pond |
| |
John K. Wilkinson, Robert W. Glass,
Jr., Robert M. Thirlwell and Robin Gregory, Outland |
| |
Michael J. Kohut, Jay M. Harding,
Richard Tyler and Al Overton, Pennies
From Heaven |
.gif) |
Bill Varney, Steve Maslow, Gregg
Landaker and Roy Charman, Raiders
of the Lost Ark |
| |
Dick Vorisek, Tom Fleischman and
Simon Kaye, Reds |
 |
| |
| BEST SOUND
(ORIGINAL SONG) |
.gif) |
“Arthur's Theme” (Best That You
Can Do), Arthur, Burt Bacharach, Carole
Bayer Sager, Christopher Cross and Peter Allen, music and lyrics |
| |
“Endless Love,” Endless
Love, Lionel Richie, music and lyrics |
| |
“For Your Eyes Only,” For
Your Eyes Only, Bill Conti, music; Mick Leeson, lyrics |
| |
“The First Time It Happens,” The
Great Muppet Caper, Joe Raposo, music and lyrics |
| |
“One More Hour,” Ragtime,
Randy Newman, music and lyrics |
 |
| |
| BEST VISUAL
EFFECTS |
| |
Dennis Muren, Phil Tippett, Ken
Ralston and Brian Johnson, Dragonslayer |
.gif) |
Richard Edlund, Kit West, Bruce
Nicholson and Joe Johnston, Raiders
of the Lost Ark |
 |
| |
| BEST SHORT FILMS
(ANIMATED) |
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Crac (Frédéric Back, producer;
Société Radio Canada) |
| |
The Creation (Will Vinton, producer;
Will Vinton Productions) |
| |
The Tender Tale of Cinderella
Penguin (Janet Perlman, producer; National Film Board of Canada) |
 |
| |
| BEST SHORT FILMS
(LIVE ACTION) |
| |
Couples and Robbers (Christine
Oestreicher, producer; Flamingo Pictures Ltd.) |
| |
First Winter (John N. Smith,
producer; National Film Board of Canada) |
.gif) |
Violet (Paul Kemp and Shelley
Levinson, producers; American Film Institute) |
 |
| |
| BEST DOCUMENTARY
(SHORT SUBJECTS) |
| |
Americas in Transition (Obie Benz,
producer; Americas in Transition, Inc.) |
.gif) |
Close Harmony (Nigel Noble,
producer; Noble Enterprise) |
| |
Journey for Survival (Dick Young,
producer; Dick Young Productions, Ltd.) |
| |
See What I Say (Linda Chapman, Pam
LeBlanc and Freddi Stevens, producers; Michigan Women Filmmakers
Productions) |
| |
Urge to Build (Roland Hallé and
John Hoover, producers; Roland Hallé Productions, Inc.) |
 |
| |
| BEST DOCUMENTARY
(FEATURES) |
| |
Against Wind and Tide: A Cuban
Odyssey (Suzanne Bauman, Paul Neshamkin and Jim Burroughs,
producers; Seven League Productions, Inc.) |
| |
Brooklyn Bridge (Ken Burns,
producer; Florentine Films Production) |
| |
Eight Minutes to Midnight: A
Portrait of Dr. Helen Caldicott (Mary Benjamin, Susanne Simpson and
Boyd Estus, producers; The Caldicott Project) |
.gif) |
Genocide (Arnold Schwartzman and
Rabbi Marvin Hier, producers; Arnold Schwartzman Productions, Inc.) |
| |
El Salvador: Another Vietnam (Glenn
Silber and Tete Vasconcellos, producers; Catalyst Media Productions) |
 |
| |
| BEST FOREIGN
LANGUAGE FILM |
| |
The Boat Is Full, Switzerland |
| |
Man of Iron, Poland |
.gif) |
Mephisto, Hungary |
| |
Muddy River, Japan |
| |
Three Brothers, Italy |
 |
Other Awards
An honorary award was presented to Barbara Stanwyck "for
superlative creativity and unique contribution to the art of screen
acting." A Special Achievement Award for Sound Effects Editing was
given to Benjamin P. Burtt, Jr. and Richard L. Anderson for Raiders of the
Lost Ark. Albert R. Broccoli received the Irving G. Thalberg Award whole
Danny Kaye won the Jean Hersholt Humanitarian Award. Joseph B. Walker was
the inaugural winner of the Gordon E. Sawyer Award.
Scientific and Technical
Academy Award of Merit
Fuji Photo Film Company, Ltd. (Film)
Scientific and Engineering Award
Edward J. Blasko (Laboratory)
Eastman Kodak Company (Laboratory)
Richard Edlund (Special Photographic)
Richard Edlund (Camera)
Industrial Light and Magic, Incorporated (Camera)
Industrial Light and Magic, Incorporated (Special Photographic)
Howard T. LaZare (Laboratory)
Dr. Roderick T. Ryan (Laboratory)
Leonard Sokolow (Laboratory)
Nelson Tyler (Photography)
Technical Achievement Award
H. L. Blachford (Stage Operations)
Daniel R. Brewer (Special Photographic)
Continental Camera Systems, Inc. (Camera)
John DeMuth (Special Photographic)
Bill Hogan (Special Photographic)
Industrial Light and Magic, Incorporated (Stage Operations)
Alan D. Landaker (Special Photographic)
Hal Landaker (Special Photographic)
Dennis Muren (Stage Operations)
Ernst F. Nettmann (Camera)
Oxford Scientific Films (Camera)
Peter D. Parks (Camera)
Ruxton, Ltd. (Special Photographic)
Dr. Louis Stankiewicz (Stage Operations)
Richard J. Stumpf (Special Photographic)
Bill Taylor (Special Photographic)
Universal City Studios, Inc. (Special Photographic)
Universal City Studios Production Sound Department (Special Photographic)
Stuart Ziff (Stage Operations)
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