Academy Awards for 1982By Patrick Mondout
The 55th Annual Academy Awards were hosted by Walter Matthau, Liza Minnelli, Dudley Moore and Richard Pryor
on April 11, 1983
at the Dorothy Chandler Pavillion (Los Angeles) and broadcast live on ABC.
Getting arrested the night you receive an Oscar may seem like the chic
Hollywood thing to do, but it was Polish director's Zbigniew Rybczynski
limited English and impatient foot that got him busted. After talking to
the press about winning the Best Animated Short Film award, the future
award-winning music video director went outside the Dorothy Pavilion for a
cigarette. When he tried to return, he found his entry blocked by a
rent-a-cop who didn't recognize the new Oscar winning Eastern European
director (then again, who did?). "I have Oscar!", Rybczynski
repeated in broken English to the unimpressed security guard. Frustrated,
he kicked him and the resulting scuffle resulted in his arrest.
The incarcerated Oscar winner called the only lawyer whose name he
could recall - celebrity divorce specialist Marvin Mitchelson (Lee Marvin
vs. Michelle Triola). Charges were dropped and "Zbignieswski
Sky", as a confused Kristol McNichol called him when reading the
nominees, was once again a free man. He quipped "success and defeat
are quite intertwined" before settling with his family in New York.
Note: All nominees are listed and
denotes the Oscar winner.
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| BEST PICTURE |
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E.T. the
Extra-Terrestrial, Steven Spielberg and Kathleen Kennedy,
producers |
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Gandhi,
Richard Attenborough, producer |
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Missing,
Edward Lewis and Mildred Lewis, producers |
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Tootsie,
Sydney Pollack and Dick Richards, producers |
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The Verdict,
Richard D. Zanuck and David Brown, producers |
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| BEST ART
DIRECTION/SET DIRECTION |
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Dale Hennesy, art direction; Marvin
March, set decoration, Annie |
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Lawrence G. Paull and David L.
Snyder, art direction; Linda DeScenna, set decoration, Blade
Runner |
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Stuart Craig and Bob Laing, art
direction; Michael Seirton, set decoration, Gandhi |
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Franco Zeffirelli, art direction;
Gianni Quaranta, set decoration, La Traviata |
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Rodger Maus, Tim Hutchinson and
William Craig Smith, art direction; Harry Cordwell, set decoration, Victor/Victoria |
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| BEST SOUND |
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Milan Bor, Trevor Pyke and Mike
Le-Mare, Das Boot |
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Buzz Knudson, Robert Glass, Don
Digirolamo and Gene Cantamessa, E.T. the
Extra-Terrestrial |
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Gerry Humphreys, Robin O'Donoghue,
Jonathan Bates and Simon Kaye, Gandhi |
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Arthur Piantadosi, Les Fresholtz,
Dick Alexander and Les Lazarowitz, Tootsie |
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Michael Minkler, Bob Minkler, Lee
Minkler and Jim La Rue, Tron |
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| BEST SOUND
(ORIGINAL SONG) |
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“Up Where We Belong,” An
Officer and a Gentleman, Jack Nitzsche and Buffy Sainte-Marie,
music; Will Jennings, lyrics |
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“How Do You Keep the Music
Playing?,” Best Friends, Michel Legrand, music; Alan and Marilyn
Bergman, lyrics |
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“Eye of the Tiger,” Rocky
III, Jim Peterik and Frankie Sullivan III, music and lyrics |
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“It Might Be You,” Tootsie,
Dave Grusin, music; Alan and Marilyn Bergman, lyrics |
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“If We Were in Love,” Yes,
Giorgio, John Williams, music; Alan and Marilyn Bergman, lyrics |
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| BEST SHORT FILMS
(ANIMATED) |
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The Great Cognito (Will Vinton,
producer; Will Vinton Productions) |
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The Snowman (John Coates, producer;
Snowman Enterprises Ltd.) |
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Tango (Zbigniew Rybczynski,
producer; Film Polski Production) |
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| BEST SHORT FILMS
(LIVE ACTION) |
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A Shocking Accident (Christine
Oestreicher, producer; Flamingo Pictures, Ltd.) |
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Ballet Robotique (Bob Rogers,
producer; Bob Rogers and Co.) |
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The Silence (Michael Toshiyuki Uno
and Joseph Benson, producers; American Film Institute) |
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Split Cherry Tree (Jan Saunders,
producer; Learning Corporation of America) |
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Sredni Vashtar (Andrew Birkin,
producer; Laurentic Film Productions, Ltd.) |
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| BEST DOCUMENTARY
(SHORT SUBJECTS) |
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Gods of Metal (Robert Richter,
producer; Richter Productions) |
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If You Love This Planet (Edward Le
Lorrain and Terri Nash, producers; National Film Board of Canada) |
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The Klan: A Legacy of Hate in
America (Charles Guggenheim and Werner Schumann, producers;
Guggenheim Productions, Inc.) |
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To Live or Let Die (Freida Lee Mock,
producer; American Film Foundation) |
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Traveling Hopefully (John G.
Avildsen, producer; Arnuthfonyus Films, Inc.) |
 |
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| BEST DOCUMENTARY
(FEATURES) |
| |
After the Axe (Sturla Gunnarsson and
Steve Lucas, producers; National Film Board of Canada) |
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A Portrait of Giselle (ABC Video
Enterprises, Inc. in association with Wishupon Productions) |
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Ben's Mill (John Karol and Michel
Chalufour, producers; Public Broadcasting Associates - ODYSSEY) |
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In Our Water (Meg Switzgable,
producer; Foresight Films Production) |
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Just Another Missing Kid (John
Zaritsky, producer; Canadian Broadcasting Corp.) |
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| BEST FOREIGN
LANGUAGE FILM |
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Alsino and the Condor, Nicaragua |
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Coup de Torchon (Clean Slate),
France |
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The Flight of the Eagle, Sweden |
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Private Life, U.S.S.R. |
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Volver a Empezar (To Begin Again),
Spain |
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Other Awards
The Jean Hersholt Humanitarian Award went to Walter Mirisch while an
Honorary Award was presented to Mickey Rooney "for 60 years of
versatility in a variety of memorable film performances."
Scientific Awards
August Arnold (Camera)
Arnold & Richter, GmbH (Camera)
Erich Kaestner (Camera)
Leonard Chapman (Camera Cranes)
Jacobus L. Dimmers (Sound)
Elemack Italia S.r.l., Rome, Italy (Camera Cranes)
Mitchell Insert Systems, Incorporated (Stage Operations)
Colin F. Mossman (Laboratory)
Brianne Murphy (Stage Operations)
Dr. Mohammad S. Nozari (Laboratory)
Rank Film Laboratories, London, Research and Development Group
(Laboratory)
Donald Schisler (Stage Operations)
Minnesota Mining and Manufacturing Company (Laboratory)
Salvatore Zelli (Camera Cranes)
Sante Zelli (Camera Cranes)
Associates and Ferren (Stage Operations)
Christie Electric Corporation (Projection)
Richard W. Deats (Camera Cranes)
Carlos DeMattos (Camera Cranes)
Adriaan De Rooy (Camera Cranes)
Egripment (Camera Cranes)
Bran Ferren (Stage Operations)
LaVezzi Machine Works, Incorporated (Projection)
Matthews Studio Equipment, Incorporated (Camera Cranes)
Ed Phillips (Camera Cranes)
Constant Tresfon (Camera Cranes)
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