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The LONG awaited Star Wars trilogy is coming to DVD!
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Academy Awards for 1986By Patrick Mondout
The 59th Annual Academy Awards were hosted by Paul Hogan, Chevy Chase, Goldie Hawn
on March 30, 1987
at the Dorothy Chandler Pavillion (Los Angeles) and broadcast live on ABC.
Note: All nominees are listed and
denotes the Oscar winner.
| |
| BEST PICTURE |
| |
A Room With a View, Ismail Merchant,
producer |
| |
Children of a Lesser God, Burt
Sugarman and Patrick Palmer, producers |
| |
Hannah and Her Sisters, Robert
Greenhut, producer |
| |
The Mission, Fernando Ghia and David
Puttnam, producers |
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Platoon, Arnold Kopelson, producer |
 |
| |
| BEST ACTRESS IN
A LEADING ROLE |
| |
Sigourney Weaver, Aliens |
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Marlee Matlin, Children of a Lesser
God |
| |
Sissy Spacek, Crimes of the Heart |
|
Jane Fonda, The Morning After |
|
Kathleen Turner, Peggy Sue Got
Married |
 |
| |
| BEST ACTOR IN A
LEADING ROLE |
| |
William Hurt, Children of a Lesser
God |
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Paul Newman, The Color of Money |
| |
Bob Hoskins, Mona Lisa |
| |
Dexter Gordon, 'Round Midnight |
| |
James Woods, Salvador |
 |
| |
| BEST ACTRESS IN
A SUPPORTING ROLE |
| |
Maggie Smith, A Room With a View |
| |
Piper Laurie, Children of a Lesser
God |
| |
Mary Elizabeth Mastrantonio, The
Color of Money |
| |
Tess Harper, Crimes of the Heart |
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Dianne Wiest, Hannah and Her Sisters |
 |
| |
| BEST ACTOR IN A
SUPPORTING ROLE |
| |
Denholm Elliott, A Room With a View |
.gif) |
Michael Caine, Hannah and Her
Sisters |
| |
Dennis Hopper, Hoosiers |
| |
Tom Berenger, Platoon |
| |
Willem Dafoe, Platoon |
 |
| |
| BEST DIRECTOR |
| |
James Ivory, A Room With a View |
| |
David Lynch, Blue Velvet |
| |
Woody Allen, Hannah and Her Sisters |
| |
Roland Joffe, The Mission |
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Oliver Stone, Platoon |
 |
| |
| BEST
WRITING (SCREENPLAY WRITTEN DIRECTLY FOR THE SCREEN) |
| |
Hanif Kureishi, My
Beautiful Laundrette |
| |
Paul Hogan, story; Paul
Hogan, Ken Shadie and John Cornell, screenplay, “Crocodile”
Dundee |
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Woody Allen, Hannah and
Her Sisters |
| |
Oliver Stone, Platoon |
| |
Oliver Stone and Richard
Boyle, Salvador |
 |
| |
| BEST WRITING
(SCREENPLAY BASED ON MATERIAL FROM ANOTHER MEDIUM) |
.gif) |
Ruth Prawer Jhabvala, A Room With a
View |
| |
Hesper Anderson and Mark Medoff,
Children of a Lesser God |
| |
Richard Price, The Color of Money |
| |
Beth Henley, Crimes of the Heart |
| |
Raynold Gideon and Bruce A. Evans,
Stand by Me |
 |
| |
| BEST
CINEMATOGRAPHY |
| |
Tony Pierce-Roberts, A Room With a
View |
.gif) |
Chris Menges, The Mission |
| |
Jordan Cronenweth, Peggy Sue Got
Married |
| |
Robert Richardson, Platoon |
| |
Don Peterman, Star Trek IV: The
Voyage Home |
 |
| |
| BEST FILM
EDITING |
| |
Ray Lovejoy, Aliens |
| |
Susan E. Morse, Hannah and Her
Sisters |
| |
Jim Clark, The Mission |
.gif) |
Claire Simpson, Platoon |
| |
Billy Weber and Chris Lebenzon, Top
Gun |
 |
| |
| BEST ART
DIRECTION/SET DIRECTION |
| |
Peter Lamont, art direction;
Crispian Sallis, set decoration, Aliens |
.gif) |
Gianni Quaranta and Brian
Ackland-Snow, art direction; Brian Savegar and Elio Altramura, set
decoration, A Room With a View |
| |
Boris Leven, art direction; Karen A.
O'Hara, set decoration, The Color of Money |
| |
Stuart Wurtzel, art direction; Carol
Joffe, set decoration, Hannah and Her Sisters |
| |
Stuart Craig, art direction; Jack
Stephens, set decoration, The Mission |
 |
| |
| BEST COSTUME
DESIGN |
.gif) |
Jenny Beaven and John Bright, A Room
With a View |
| |
Enrico Sabbatini, The Mission |
| |
Anna Anni and Maurizio Millenotti,
Otello |
| |
Theadora Van Runkle, Peggy Sue Got
Married |
| |
Anthony Powell, Pirates |
 |
| |
| BEST SOUND |
| |
Graham V. Hartstone, Nicolas Le
Messurier, Michael A. Carter and Roy Charman, Aliens |
| |
Les Fresholtz, Dick Alexander, Vern
Poore and William Nelson, Heartbreak Ridge |
.gif) |
John Wilkinson, Richard Rogers,
Charles “Bud” Grenzbach and Simon Kaye, Platoon |
| |
Terry Porter, Dave Hudson, Mel
Metcalfe and Gene S. Cantamessa, Star Trek IV: The Voyage Home |
| |
Donald O. Mitchell, Kevin O'Connell,
Rick Kline and William B. Kaplan, Top Gun |
 |
| |
| BEST VISUAL
EFFECTS |
.gif) |
Robert Skotak, Stan Winston, John
Richardson and Suzanne Benson, Aliens |
| |
Lyle Conway, Brian Ferren and Martin
Gutteridge, Little Shop of Horrors Richard Edlund, John Bruno, Garry |
| |
Waller and William Neil, Poltergeist
II: The Other Side |
 |
| |
| BEST MAKEUP |
| |
Michael G. Westmore and Michèle
Burke, The Clan of the Cave Bear |
.gif) |
Chris Walas and Stephan Dupuis, The
Fly |
| |
Rob Bottin and Peter Robb-King,
Legend |
 |
| |
| BEST SOUND
(ORIGINAL SONG) |
| |
“Somewhere Out There,” An
American Tail, James Horner and Barry Mann, music; Cynthia Weil,
lyrics |
| |
“Mean Green Mother From Outer
Space,” Little Shop of Horrors, Alan Menken, music; Howard Ashman,
lyrics |
| |
“Glory of Love,” The Karate Kid
Part II, Peter Cetera and David Foster, music; Peter Cetera and
Diane Nini,
lyrics |
| |
“Life in a Looking Glass,”
That's Life, Henry Mancini, music; Leslie Bricusse, lyrics |
.gif) |
“Take My Breath Away,” Top Gun,
Giorgio Moroder, music; Tom Whitlock, lyrics |
 |
| |
| BEST MUSIC
(ORIGINAL SCORE) |
| |
James Horner, Aliens |
| |
Jerry Goldsmith, Hoosiers |
| |
Ennio Morricone, The Mission |
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Herbie Hancock, 'Round Midnight |
| |
Leonard Rosenman, Star Trek IV: The
Voyage Home |
 |
| |
| BEST SHORT FILMS
(ANIMATED) |
.gif) |
A Greek Tragedy (Linda Van Tulden
and Willem Thijssen producers; CineTe pvba) |
| |
The Frog, the Dog and the Devil (Bob
Stenhouse, producer; New Zealand National Film Unit) |
| |
Luxo Jr. (John Lasseter and William
Reeves, producers; Pixar Productions) |
 |
| |
| BEST SHORT FILMS
(LIVE ACTION) |
| |
Exit (Stefano Reali and Pino
Quartullo, producers; Rai Radiotelevisione Italiana/RAI-UNO) |
| |
Love Struck (Fredda Weiss, producer;
Rainy Day Productions) |
.gif) |
Precious Images (Chuck Workman,
producer; Calliope Films, Inc.) |
 |
| |
| BEST DOCUMENTARY
(SHORT SUBJECTS) |
| |
Debonair Dancers (Alison
Nigh-Strelich, producer; Alison Nigh-Strelich Production) |
| |
The Masters of Disaster (Sonya
Friedman, producer; Indiana University Audio Visual Center) |
| |
Red Grooms: Sunflower in a Hothouse
(Thomas L. Neff and Madeline Bell, producers; Polaris Entertainment
Production) |
| |
Sam (Aaron D. Weisblatt Production) |
.gif) |
Women - for America, for the World
(Vivienne Verdon-Roe, producer; Educational Film & Video
Project) |
 |
| |
| BEST DOCUMENTARY
(FEATURES) [TIE] |
.gif) |
Artie Shaw: Time Is All You've Got
(Brigitte Berman, producer; Bridge Film Production) |
| |
Chile: Hasta Cuando? (David
Bradbury, producer; David Bradbury Productions) |
.gif) |
Down and Out in America (Joseph
Feury and Milton Justice, producers; Joseph Feury Production) |
| |
Isaac in America: A Journey With
Isaac Bashevis Singer (Kirk Simon and Amram Nowak, producers; Amram
Nowak Associates) |
| |
Witness to Apartheid (Sharon I.
Sopher, producer; Production of Developing News, Inc.) |
 |
| |
| BEST FOREIGN
LANGUAGE FILM |
.gif) |
The Assault, Netherlands |
| |
Betty Blue, France |
| |
The Decline of the American Empire,
Canada |
| |
My Sweet Little Village,
Czechoslovakia |
| |
“38”, Austria |
 |
Other Awards
The Irving G. Thalberg Memorial Award went to Steven Spielberg.
Honorary Awards went to Ralph Bellamy "for his unique artistry and
his distinguished service to the profession of acting" and to E.M.
(Al) Lewis "in appreciation for outstanding service and dedication in
upholding the high Academy standards."
Scientific Awards
Darryl A. Armour (Special Photographic)
Associates and Ferren (Special Photographic)
Auricle Control Systems (Editorial and Preproduction)
John L. Baptista (Laboratory)
Boss Film Corporation (Special Photographic)
Anthony D. Bruno (Laboratory)
Richard Edlund (Special Photographic)
Bran Ferren (Special Photographic)
William L. Fredrick (Camera Cranes)
David Grafton (Special Photographic)
Richard Benjamin Grant (Editorial and Preproduction)
Ron Grant (Editorial and Preproduction)
Robert Greenberg (Special Photographic)
R/Greenberg Associates, Incorporated (Special Photographic)
Charles Harrison (Special Photographic)
Joel Hynek (Special Photographic)
Jerry Jeffress (Special Photographic)
Bruce W. Keller (Laboratory)
Elan Lipschitz (Special Photographic)
Eugene Mamut (Special Photographic)
Metro-Goldwyn-Mayer Laboratories, Inc. (Laboratory)
Manfred G. Michelson (Laboratory)
Hal Needham (Camera Cranes)
Richmark Camera Service, Incorporated, Oxberry Division (Special
Photographic)
Professor Fritz Sennheiser (Sound)
Sennheiser Electronic Corporation (Sound)
Technical Film Systems, Incorporated (Laboratory)
Dr. Alfred Thumim (Special Photographic)
Mark West (Special Photographic)
Gene Whiteman (Special Photographic)
Bob Wilcox (Special Photographic)
Kenneth Wisner (Special Photographic)
Associates and Ferren (Special Photographic)
John L. Baptista (Laboratory)
Alexander Bryce (Lighting)
The Burbank Studios (Lighting)
The Burbank Studios (Sound)
Bran Ferren (Special Photographic)
Carl Holmes (Lighting)
Carl E. Holmes Company (Lighting)
Alan Landaker (Sound)
Hal Landaker (Sound)
Lee Electric (Lighting) Limited (Lighting)
Metro-Goldwyn-Mayer Laboratories, Inc. (Laboratory)
Oxford Scientific Films, Image Quest Division (Special Photographic)
Peter D. Parks (Special Photographic)
William B. Pollard (Photography)
David W. Samuelson (Photography)
Lucinda Strub (Stage Operations)
Matt Sweeney (Stage Operations)
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FILM
FACTS |
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|  | Best Picture: Platoon
| |
|  | What: 59th Annual Academy Awards
| |
|  | Date: March 30, 1987
| |
|  | Host: Paul Hogan, Chevy Chase, Goldie Hawn
| |
|  | Location: Dorothy Chandler Pavillion (Los Angeles)
| |
|  | Network: ABC
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